We went to the Quaker Tapestries Exhibit. The museum was modern, in an old building, with a wonderful Quaker gift shop. And, a little Quaker coffee shop outside. The coffee shop offered gluten free options, like icky sticky caramel cake. Barbara and Pam were thrilled to partake in the dessert everyone had raved about the night before. The museum offered audio headphones that told the story of every tapestry. There are seventy tapestries in all, but twenty panels are visiting Ireland. During the famine, women were able to stitch to make a little extra money.
In the 1980s, Anne Wilson who had written an embroidery thesis on tapestries in France, thought it would be great for Quakers to get together in small groups. She was a member of the Somerset Meeting, where she taught First Day School. She believed the children's room to be "dowdy." She spoke to eleven year old, Jonathan, about doing a frieze of drawings on Quaker history. Jonathan said, "I don't want to do anymore coloring in." "You're an embroiderer why don't you do it?"
This idea started a project that would last fifteen years, spread over fifteen countries, and four thousand people. Anne Wilson along with other weavers chose the background wool. The wool is not dyed, so you will never get the same color again. Anne designed a pattern, in a way that people of different skills could contribute.
The tapestries are divided into three sections: the title is at the top, main story in the middle, and the bottom is the children's drawings and stitchings. The pattern was ironed on the back, and the embroidery stitches start from the back. After finishing the first two tapestries, Anne invented a Quaker stitch for lettering.
She realized this project was more than she could do, along with her Meeting. So, she had the idea groups of people would do the research and help. She asked the International Yearly Meeting, where Margaret Simpson said, "I can certainly organize." Groups decided on the stories they wanted to tell. When they couldn't come to agreement on the design, they decided a design group must decide.
The embroiderers began to practice, and the design group made adjustments. The size was to be as large as one that could fit on a frame that was able to travel, even internationally. When embroidering the animals, Anne said, "imagine stroking the animals,
in finding the right stitch." They stitched from photographs whenever possible. When, Anne was stitching George Fox from the back, looking at the gathering of people, she used a photograph of the back of her husband. And, spent many hours looking at men's bums to get Fox right. The tapestries were never meant to be academic. It was more of a history of Quaker ideas and experiences.
Next, we went to the Kendal Meeting House. One elder, Kendall man, reminded me of Terry (my father-in-law), from Lancashire about the same time. He would've had a similar experience of rationing during the war. He stood up and told a story of only having enough coal to heat the kitchen. The family would gather in the kitchen. Except at night, the father would carry the leftover coal on a shovel from the kitchen to the living room. The coal would smoke all the way through the house. But, then they would spend time gathered in the warmth, listening to the radio. He compared that gathering of warmth to our gatherings in the Meeting. And, to take the warmth and fire with us into other circles and gatherings. Sometimes it's difficult and smokey, but we still go on to more circles. I immediately realized all the time Terry spent in front of our fireplace, keeping the fire going was his way of keeping us warm, sharing the warmth. I was able to look at that experience in a completely different way, for the first time. John March spoke of our pilgrimage taking us out of space and time through our travels and gathering. The Kendall Meeting served the most delicious fruit cake with our tea.
Next, we rode to the Colthouse Meeting House. At one point, on a very narrow road, our bus had to pass another bus. The bus drivers were incredible. It took about ten minutes with the buses only three inches apart. Upon arriving at the Colthouse Meeting, the door was locked. We were told the Meeting House would be left unlocked. Our clever pilgrims searched until they found an enormous key, and we were able to go inside. I wish I had a photo of the ancient, large, heavy key. This Meeting House was picturesque, surrounded by undisturbed land and many sheep.
I asked Natasha how this experience might be different for someone like herself, growing up in a Meeting. She said, "I don't know." Not knowing how to compare it to someone else's experience. She said, "sitting in Meeting felt like home."
We gathered at the Glenthorne, again over tea. Connie told an amazing story about being in Africa working for Elizabeth Kubler-Ross. It was before Apartheid, people gathered in Africa from all over the world. Some meeting people of other nationalities for the first time. She said the most amazing part was on the last night. They had a type of talent show. And, the South Africans came out doing a Zulu dance. Connie told us upon her return to Olso, Elizabeth Kubler-Ross was going to join her at her cabin.
We gathered for our final thoughts and farewell to our beloved guide, Roy. Tears were shed and many tight hugs. Roy embraced each of us with just the right words. He told me, "Wendy, life will be hard. And, when it is think of your memories here. Carry the light with you."
Dinner
Jambalaya starter
Plaice fish, stuffed with crab meat in a light butter sauce
Squidgy cinnamon meringue
Approaching the Tapestry Exhibit |
Meeting House Cafe |
china tea cups at the Kendal Meeting House |
Once again a round table in the center, with flowers and a collection of books. |
Our guide at the Tapestry Exhibit, explaining the process and stitching from the back. |
three inches apart from the other bus |
panorama of Colthouse |
separate entry door into the courtyard of the Meeting House |
view from Colthouse |
Colthouse Meeting House |
Historic Peace Poster |
panels to make separate rooms or open for one larger room |
Colthouse Burial Ground |